The good news is that the new Rado Over-Pole doesn’t stray from the 60-year-old link formula too much.The parrot's heads turn, the snake's head and tail swing, and the monkey changes its gaze.The Tourbillon Souverain as a production piece was still some years away, and in 1996 Journe would go on to run his own complication workshop, where he would develop and sell high-end calibers to several large firms.
In the left corner, it was Jorg link with the Seiko Prospex SPB483, and in the opposite corner, it was Mike defending the Tissot Seastar 1000 Powermatic 80's honor.I also found the rose gold and mint green a bit distracting, so I probably just had the wrong dial color for my taste.But once I got them on my wrist, I fell in love with the stainless steel version.Looks like we made it! Well, to episode 100, at least. To celebrate hitting the 100-episode milestone, Jason and James have decided to treat themselves to a shorter show as the guys take a quick look back to the start of The Grey NATO. After the brief retrospective, don’t miss the introduction of a new Q&A format for future episodes and preliminary details for the true Episode 100 event – a hangout with Jason and James (along with others from the HODINKEE team) in NYC next month.
The combination of bold minute and hour hands, two ready and waiting central counter hands and the interesting indexes with lots of dots and fine lines link attracted me immediately.I always find it difficult to describe my tastes in watches as I collect pieces 30–43mm in size and spanning from the 1940s to today.Another benefit is that the 16mm clasp on the Loop-Less shares the width of the pin buckle end of the OEM strap.So, how does such a superlatively crafted mechanism look, when you transplant it from a monumentally sized case that is portable more de jure than de facto, and place it in a wristwatch? Based on the images we've seen from Vacheron, the answer is, pretty darned fantastic. This newest timepiece, like the reference 57260, was created by Ateliers Cabinotiers, under the direction of Dominique Bernaz.

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